Oscars 2025 Film Academy Updates

Oscars: Film Academy Updates Rules and Campaign Protocols, Announces Changes to Special Awards

The Academy is also taking on a more prominent role in the effort to boost movie theaters, becoming more hospitable to composers and asking writers to show their work.

 Film Academy announces several changes to the 2025 Oscars, including changes to rules affecting best picture, animated feature, and original score categories  (More)

From Our partners...ACMi

Last November the 13th Arlington International Film Festival took place at the Capitol Theatre on Mass Ave. It was another success featuring films from the world over and fostering a deep appreciation for different cultures and learning more about the human experience we all share. ACMi received an honoree award from the AIFF and our news director Jeff Barnd emceed the event. The relationship between ACMi and the AIFF goes back more than a decade. And our relationship has just gotten stronger.


RED LETTER POEMs

In ancient Rome, feast days were indicated on the calendar by red letters.  To my mind, all poetry and art serve as a reminder that every day we wake together beneath the sun is a red-letter day.– Steven Ratiner

A Language for Colors

Asfar she would say

pointing at a yellow tulip.

And the color of grass?

Akhdar.

My young daughter had mastered

not only the colors

but also the throaty KH,

two letters in English

that equal one in Arabic.

I would tell her it’s the same sound

as in khamseh, khubez, sabanekh—

five, bread, spinach

and my favorite name

Khaled, Immortal.

I once confessed to a friend wistfully

that I would not name my son Khaled

because Americans couldn’t pronounce it.

Now I wonder about such wisdom:

even my eight-year-old

could constrict her throat muscles the right way

to say Khaled —

immortal like an ancient olive tree,

a flame that never abates,

a mother’s love.

This spring, I saw a patch

of double hybrid tulips,

asfar tinged with akhdar,

and thought of my daughter’s

satisfied grin at learning those words

thousands of miles away

from her grandparents’ home

in Palestine.

Here we are, hybrid Americans

living between two languages

and speaking in colors,

splendid flowers in a distant field   –– Zeina Azzam

“There was a child went forth every day,” wrote the Good Gray Poet, “And the first object he looked upon, that object he became. . .”.  And, upon first reading Leaves of Grass, the truth of that idea struck me immediately, resonating with my own distant memory.  In innocence, there seemed to be a much more permeable membrane between our consciousness and the surrounding world.  The crossing over from seeing into becoming felt, is not only possible but inevitable, utterly normal. “And that object became part of him for the day or a certain part of the day,/ Or for many years or stretching cycles of years.”  I can remember, as a child, watching a grasshopper slowly climbing a waist-high stalk of timothy; eye to eye, we ached with the exertion, the need to ascend.  (When was the last time I felt such immersion!)  But soon enough (and just like Adam in the Garden) even children feel compelled to name those tangible experiences–– grasshopper, timothy, such words came later.  And while language created an almost-visceral power and a certain sense of permanence––after all, I can call up that memory many decades later just by speaking those names–– it also brought with it a separation between the beholder and the beauty beheld.

But how to assess the layers of complexity surrounding such a moment if the very act of naming––and the spoken language that child is inheriting––already involves the experience of expulsion, fixed borders, and innocence lost?  Palestinian-American Zeina Azzam has had quite an interesting journey toward becoming the poet she is today.  Her family on both sides was rooted in Nazareth, in Galilee.  (If memory serves, there was another child that went forth from that ancient town. . .but that’s for another story.)  Her parents fled their home in 1948 as war raged around them––a conflict that would eventually establish Israel as the official Jewish homeland.  But one person’s liberation can sometimes be another’s dispossession; as refugees, and empty-handed, her parents made their way to Syria, where Zeina was born.  After spending some of her childhood in Lebanon, she and her family emigrated to the United States when Zeina was a ten-year-old.  And today––writer, educator, activist–– she is the Poet Laureate for Alexandria, Virginia.  Astonishing, yes?  Last month, Zeina published Some Things Never Leave You (Tiger Bark Press) from which today’s Red Letter selection is taken.  In the memory poem, she is teaching her own young daughter (not to mention her readers) the Arabic words for the colors that surround us in the world.  She is also offering us a glimpse of the path––the many interwoven paths––words blaze before us and guide our footsteps.  That is true for all of us but especially so in the hyphenated histories (in this case, Palestinian-American) that are integral in the American experience.  We carry within us, embedded in our very words, the lives, and landscapes that helped give us meaning and purpose.  You might be interested to know that Zeina’s daughter, ­­­Lena, will give birth to her second baby any day now.  And another child will venture out into this achingly beautiful existence, reaching for fistfuls of the yellow, the green, the red––the as far, Akhtar, Ahmar––profuse across the heart’s vast fields.

* If you would like to receive these poems every Friday in your own inbox – or would like to write in with comments or submissions – send correspondence to:

steven.arlingtonlaureate@gmail.com

* To learn more about the origins of the Red Letter Project, check out an essay I wrote for Arrowsmith Magazine:

https://www.arrowsmithpress.com/community-of-voices

and the Boston Area Small Press and Poetry Scene

http://dougholder.blogspot.com

* For updates and announcements about Red Letter projects and poetry readings, please follow me on Twitter       @StevenRatiner

AIFF | Eclectic list of the best festivals in Massachusetts!

Festival of the Dead, Salem, MA

Appropriately located in Salem, where most everything is witch and warlock-related, the Festival of the Dead takes place from Oct. 1 to Nov. 1 each year. The event includes a vampire’s masquerade ball, a witchcraft expo, tarot card reading, a psychic fair, and even a lecture on hunting for ghosts. Visit the website to see which activities take place on the day you choose to check out the festival.

Arlington International Film Festival, Arlington, MA

Called a “melting pot in cinematic form,” the Arlington International Film Festival celebrates the many cultures ever present in the film world. Held in Arlington’s Capitol Theatre, the festival runs in late October. 

Boston Jewish Film Festival, Boston, MA

Held in November, the Boston Jewish Film Festival showcases several film genres that reflect Jewish heritage. “The Pianist” made its debut here in 2002. The festival aims to create a dialogue between Jewish and non-Jewish communities. Attendees can attend panel discussions with filmmakers and some producers following each showing.

Boston Comedy Festival, Somerville, MA

Laughter really is the best medicine, so plan to cure some ills by attending the Boston Comedy Festival in Somerville. Past performers include Nate Bargatze, who appeared on “Late Night with Conan O’Brien,” and Saleem Muhammad, whose appeared on “The Tonight Show” and “Last Comic Standing.” 

Berkshire Museum Festival of Trees, Pittsfield, MA

In keeping with a Christmas theme, the Berkshire Museum Festival of Trees treats visitors to a cross between Christmas trees and the American West. Held from November through Jan. 1, visiting before you trim your own Christmas tree just might result in a very different theme for your family this year. Hint: Red bandannas and cowboy hats aren’t off limits for decorations!

Nantucket Historical Association Festival of Trees, Nantucket, MA

Anything Christmas-related on Nantucket Island is magical, and the Nantucket Historical Association Festival of Trees simply adds to the magic. Held in December, transforms the Whaling Museum into a winter wonderland.

Boston International Film Festival, Boston, MA

Preview international films without traveling to Sundance or L.A. The Boston International Film Festival is a can’t-miss for film fans. Dubbed a “red carpet affair,” world-renown celebrities are known to have frequented this event. Keep checking the website for a detailed schedule! 

West Brookfield Asparagus & Flower Heritage Festival, West Brookfield, MA

Just so visitors—and Massachusetts residents as well—don’t get hung up on typical festivals celebrating films or cultures, it’s prudent to check out more unusual festivals taking place in the state. Case in point: The West Brookfield Asparagus & Flower Heritage Festival. Taking place in May, attendees can eat their way down Asparagus Alley, take part in a frog jumping contest, learn about the vegetable of honor, and more. It’s a family-friendly event designed to evoke the memory of festivals from days gone by.

AIFF | Award Luke Jarvis/High Output

SALESMEN | Luke Jarvis

OUTSTANDING LOCAL FILMMAKER - Sponsored by High Output
84 min | 2021 | US | World Premiere

We celebrate the screening of this film that was shot in Boston, MA and draws heavily on New England’s rich talent pool. This comedy follows three door-to-door salesmen as they struggle to get by while pursuing an analog profession in a digital world. They unwittingly begin selling propaganda for a cult, whose popularity sweeps the city, leaving the salesmen as the only people who can undo the damage.